Courses for Undergraduates
103 Principles of Jazz Theory (2:1:1)
Pr. MUS 101, MUP 104, and MUS 105, or permission of instructor
Establishes a foundation of knowledge for the study of jazz improvisation and composition, stressing jazz nomenclature, chord/scale analysis, basic chord substitution, and voice leading. (Spring) (Formerly MUS 103)
104 Introduction to Jazz Listening (2:2)
Pr. Music major
The jazz masters and significant jazz recordings of the 20th century will be introduced; these recordings will range from Louis Armstrong to John Coltrane. Aural recognition will be developed. (Fall) (Formerly MUS 104)
125 *Class Voice (1:0:2)
May be repeated for credit.
Study of basic principles of vocal production, to include acquaintance with a variety of solo literature and the development of poise and stage deportment. (Fall & Spring) (Formerly MUS 125)
131, 132, 133, 134 *Class Piano (1:0:2), (1:0:2), (1:0:2), (1:0:2)
Laboratory instruction in piano. Offered as preparation for piano proficiency required of music majors whose major or principal area is not piano. 131, first level; 132, second level; 133, third level; 134, fourth level. (Each level—Fall & Spring) (Formerly MUS 131, 132, 133, 134)
151, 152 Performance Studies (.5–3:.5–1)
Pr. audition required.
May be repeated for credit if different instrument or with approval of Department Chair.
Enrollment for 2–3 credits requires coregistration in a large ensemble.
Instruction on principal instrument or in voice. (Fall & Spring & Summer) (Formerly MUS 151, 152)
153, 253, 353, 453 Performance Studies (.5–2:.5–1)
Pr. admission as a Music major or special permission of Department; enrollment in two (2) or more s.h. requires coregistration in a large ensemble.
May be repeated for credit if different instrument.
Performance studies instruction for non-majors or majors on secondary instrument/voice. (Fall & Spring & Summer) (Formerly MUS 153, 253, 353, 453)
170 Italian and Latin Diction for Singers (1:1:1)
Study of International Phonetic Alphabet and its application to the pronunciation of Italian and ecclesiastical Latin and special problems involved in singing these languages. (Fall & Spring) (Formerly MUS 170)
171 English Diction for Singers (1:1:1)
Pr. MUP 170, or permission of instructor
Study of the International Phonetic Alphabet and its application to the pronunciation of English and special problems involved in singing in English. (Spring) (Formerly MUS 171)
251, 252 Performance Studies (1–6)
Pr. audition required.
May be repeated for credit with approval of Department Chair.
Enrollment in 2 or more credits requires coregistration in a large ensemble.
Instruction on principal instrument or in voice. (Fall & Spring & Summer) (Formerly MUS 251, 252)
270 French Diction for Singers (1:1:1)
Pr. MUP 170, or permission of instructor
Phonetic alphabet as it relates to French language and special problems involved in singing this language. (Fall & Spring) (Formerly MUS 270)
271 German Diction for Singers (1:1:1)
Pr. MUP 170, or permission of instructor
Phonetic alphabet as it relates to German language and special problems involved in singing this language. (Fall & Spring) (Formerly MUS 271)
284 Fundamentals of Keyboard Accompanying I (1:1:1)
Pr. MUS 106, or permission of instructor
Class discussion, study and performance of literature for voice and/or instruments with keyboard accompaniment. Special attention given to sight reading techniques, German Lieder and Italian opera reductions. (Fall) (Formerly MUS 284)
285 Fundamentals of Keyboard Accompanying II (1:1:1)
Pr. MUP 284, or permission of instructor
Class discussion, study, and performance of literature for voice and/or instruments with keyboard accompaniment. Special attention given to ensemble playing, the style of French melodie and German opera reductions. (Spring) (Formerly MUS 285)
300 Recital (0)
Coreq. MUP 352
Presentation of a varied program of music. (Fall & Spring & Summer) (Formerly MUS 300)
302, 303 Keyboard Harmony I, II (1:0:2), (1:0:2)
Pr. MUS 102, MUS 106, MUP 251 level in keyboard, or permission of instructor
A keyboard approach to the study of harmony, emphasizing extemporaneous keyboard harmonization, harmonization of melodies, and figured bass realization. (302—Odd Fall, 303—Even Spring) (Formerly MUS 302, 303)
304 Jazz Ear Training (1:1)
Pr. MUP 103 and MUS 206
This course will prepare students to recognize jazz constructs by ear and will teach the skills necessary to transcribe improvised jazz solos. (Spring) (Formerly MUS 304)
319 Choral Laboratory I (1:1:1)
Pr. MUS 106 or permission of instructor, MUP 125 or one semester of voice study
Conducting techniques, especially as related to choral conducting; rehearsal procedures, continued study of choral repertory. (Spring) (Formerly MUS 319)
321, 322 Jazz Improvisation I, II (3:3), (3:3)
Pr. for MUP 321: MUS 101, 102, MUP 103, MUS 105, 106 and attainment of the MUP 251 level in applied music
Pr. for MUP 322: MUP 321 or permission of instructor
MUP 321: Basic course for the student with little or no previous experience in jazz improvisation. First semester: essential theoretical knowledge and practical skills and practice of integrating them into improvisation. MUP 322: continued development of knowledge and skills present in MUP 321 with emphasis on increased fluency and mastery. (321—Even Fall, 322—Odd Spring) (Formerly MUS 321, 322)
347 Casella Sinfonietta (1:0:1–2)
Pr. permission of instructor
Coreq. MUP 393 or 391
May be repeated every semester provided different repertoire is selected.
Performance of conducted chamber literature for winds, strings, and percussion from all areas, including contemporary works for this medium. (All) (Formerly MUS 347)
348 Chamber Music (1:0:1)
Pr. permission of instructor
May be repeated every semester provided different repertoire is selected.
Group study and performance of selected chamber music literature/jazz combo literature (nonconducted) with emphasis on development of independent chamber music performance skills. Personnel and repertoire assigned by performance faculty. (All) (Formerly MUS 348)
351, 352 Performance Studies (1–6)
Pr. audition required.
Coreq. for 352: MUP 300
May be repeated for credit with approval of Department Chair.
Enrollment in 2 or more credits requires coregistration in a large ensemble.
Instruction on principal instrument or in voice. (Fall & Spring & Summer) (Formerly MUS 351, 352)
372 Instrumental Conducting I (1:0:2)
Introductory course in instrumental conducting. Emphasis on baton technique and non-verbal communication. (Fall) (Formerly MUS 372)
375 Opera Performance Techniques (2:2:2)
GE Marker: GL
Pr. permission of instructor
May be repeated for credit.
Techniques for the singer-actor; study of the materials and nature of music theatre; development of basic skills required in opera/music theatre. (Fall) (Formerly MUS 375)
376 Period Music Ensembles (1-2:0:2)
Pr. permission of instructor
May be repeated provided different repertoire is selected.
Performance of conducted and nonconducted period (Renaissance through Contemporary) literature. (Fall & Spring) (Formerly MUS 376)
377 *World Music Ensembles (1-2:0:2)
Pr. permission of instructor
May be repeated provided different repertoire is selected.
Performance of conducted and nonconducted world music literature. (Fall & Spring) (Formerly MUS 377)
380 Women’s Choir (1:0:3)
Pr. membership by audition.
May be repeated for credit.
Choral organization for graduate and undergraduate women’s voices. (Fall & Spring) (Formerly MUS 380)
381A *Men’s Glee Club (1:0:3)
Pr. membership by audition.
May be repeated for credit.
Choral organization for graduate and undergraduate men’s voices. (Fall & Spring) (Formerly MUS 381A)
381B *Women’s Glee Club (1:0:3)
Pr. membership by audition.
May be repeated for credit.
Choral organization for graduate and undergraduate women’s voices. (Fall & Spring) (Formerly MUS 381B)
382 University Chorale (1:0:3)
Pr. membership by audition.
May be repeated for credit.
Mixed choral organization of approximately 50 graduate and undergraduate singers. (Fall & Spring) (Formerly MUS 382)
384 Keyboard Accompanying (1:0:3)
Pr. MUP 284/285 or permission of instructor
May be repeated for a total of 5 semester hours.
Students are assigned vocal and/or instrumental students to accompany with literature appropriate to the student’s level. Fulfills large ensemble requirement for keyboard performance majors. (Fall & Spring) (Formerly MUS 384)
388 Chamber Singers (1:0:3)
May be repeated for credit.
Select mixed vocal ensemble of 16 graduate and advanced undergraduate singers. (Fall & Spring) (Formerly MUS 388)
391 University Symphony Orchestra (1:0:4)
May be repeated for credit.
Full symphony orchestra, performance of important works from symphonic repertoire of eighteenth, nineteenth, and twentieth centuries. (Fall & Spring) (Formerly MUS 391)
393 University Wind Ensemble (1:0:4)
May be repeated for credit.
Wind ensemble for advanced students. Performance of appropriate wind ensemble works from all eras. (Fall & Spring) (Formerly MUS 393)
394A Symphonic Band (1:0:3)
May be repeated for credit.
Performance of literature from all eras, including contemporary works for this medium. (Fall & Spring) (Formerly MUS 394A)
394B University Band (1:0:3)
May be repeated for credit.
Performance of literature from all eras, including contemporary works for this medium. (Fall & Spring) (Formerly MUS 394B)
395 Jazz Laboratory Ensemble (1:0:3)
Pr. membership by audition.
May be repeated for credit.
Performance of literature encompassing all of the jazz idioms with emphasis on contemporary composition. (Fall & Spring) (Formerly MUS 395)
396 Studio Ensemble (1:0:3 or 1:0:2)
Pr. membership by audition.
May be repeated for credit.
Participation by audition in conducted studio ensembles appropriate to the individual's performance area. Contact the Music Office for a list of studio ensembles and specific audition requirements. (Fall & Spring) (Formerly MUS 396)
400 Recital (0)
Coreq. MUP 452
Presentation of a varied program of music. (Fall & Spring & Summer) (Formerly MUS 400)
401 Jazz Piano Skills (1:1)
Pr. MUP 103 and 134
This course teaches the basic piano chord voicings of standard jazz compositions. (Fall) (Formerly MUS 401)
402 Seminar in Career Development (2:2)
Pr. junior-level or higher music PRFM and MUSI majors only
Study of issues related to career choices, including job searching/resumé, preparation, evaluation, auditions, touring, making a CD, copyright laws, publication, preparing for graduate school, grant presentations. (Spring) (Formerly MUS 402)
403 String Instrument Pedagogy (3:3)
Pr. MUP 351 performance level on bowed string instrument or permission of instructor
Survey of methods and materials utilized in the teaching and performing of string instruments. (Odd Fall) (Formerly MUS 403)
404 Woodwind Pedagogy (3:3)
Pr. MUP 351 performance level on principal woodwind instrument or permission of instructor
A survey of methods and materials utilized in the teaching and performing of woodwind instruments with special focus on the principal instrument. (Odd Fall) (Formerly MUS 404)
407 Brass Instrument Pedagogy (3:3)
Pr. MUP 351 performance level on principal brass instrument or permission of instructor
Survey of methods and materials utilized in the performance and teaching of brass instruments. (Odd Fall) (Formerly MUS 407)
408 Percussion Pedagogy (3:3)
Pr. MUP 351 performance level as percussion major or principal or permission of instructor
Survey of methods and materials utilized in the teaching and performing of percussion instruments. (Even Fall) (Formerly MUS 408)
409 Jazz Pedagogy (3:3)
Pr. MUP 103, MUS 202, MUS 206, or permission of instructor
Principles of jazz interpretation, improvisation, and arranging. Procedures of organizing and administering jazz programs. Survey of jazz study materials. (Even Fall) (Formerly MUS 409)
412 Piano Pedagogy I (3:3)
Pr. keyboard principal or major or permission of instructor
Survey of current piano teaching philosophies, methods, and materials and their application for private and group instruction. Supervised teaching of beginning piano students. (Even Fall) (Formerly MUS 412)
413 Piano Literature I (3:3)
Pr. junior or senior standing or permission of instructor
Survey of piano literature from ca. 1760–1825, with a preliminary investigation of music for other keyboard instruments from earliest extant sources. (Odd Fall) (Formerly MUS 413)
414 Piano Literature II (3:3)
Pr. junior or senior standing or permission of instructor
Survey of piano literature from ca. 1825 to present. (Even Spring) (Formerly MUS 414)
415 Organ Literature (3:3)
Survey of organ literature from sixteenth century to present. (Occ) (Formerly MUS 415)
416 Piano Technique, A Pedagogical Survey (3:3)
Pr. MUP 351 level or above in piano performance studies, or permission of the instructor
A chronological survey of theories of piano technique from the clavier methods of the early eighteenth century to the present. (Occ) (Formerly MUS 416)
417 Piano Pedagogy II (3:3)
Pr. keyboard principal or major or permission of instructor
Survey of intermediate and moderately advanced teaching literature with emphasis on basic pedagogical approaches to technique, style, and interpretation. Procedures for teaching functional skills. Supervised teaching experience. (Occ) (Formerly MUS 417)
422 Guitar Literature (3:3)
Pr. two years of classical guitar study or equivalent
Survey of guitar literature from Renaissance to present; detailed study of lute tablatures, instrument construction, and development of technique. (Occ) (Formerly MUS 422)
423 Jazz Arranging I (3:3)
Pr. MUP 103, MUS 201, MUS 205, MUS 206
Beginning study of language and techniques employed in arranging music for various jazz ensembles. (Odd Fall) (Formerly MUS 423)
424 Jazz Arranging II (3:3)
Pr. MUS 202, MUS 206, MUP 423; or permission of instructor
Advanced study of techniques and disciplines employed in arranging for jazz ensembles. (Even Spring) (Formerly MUS 424)
435 Percussion Literature (3:3)
Pr. junior or senior percussion majors or permission of instructor
Survey of percussion literature from the medieval era to the present emphasizing the role of percussion in various musical settings. (Odd Spring) (Formerly MUS 435)
436 Band Literature (3:3)
Band literature and origins of the band emphasizing its import and expanded cultivation during past century in United States and Europe. (Odd Spring) (Formerly MUS 436)
437 String and Keyboard Chamber Literature (3:3)
Pr. junior or senior standing or permission of instructor
Survey of string and piano chamber music literature from the seventeenth century to the present. Emphasis on historical perspectives, performance of representative works, and score analysis. (Odd Fall) (Formerly MUS 437)
447 Vocal Coaching (1:1)
Pr. Voice Performance majors, junior or senior standing, and permission of director of vocal area
Coreq. MUP 351, 352, 451, or 452
May be repeated as often as enrollment space permits.
Facilitation of progressive development of voice students through advanced and comprehensive study of repertoire and performance practice, focusing primarily on diction, style, and interpretation. (Formerly MUS 447)
449 Applied Performance Practice and Literature (3:3)
Pr. MUS 332 or permission of instructor
May be repeated when topic varies.
Explores performance practice issues in 17th–19th century music. Students investigate period and secondary sources, apply them to their instrument/voice, and create lecture-recitals based on chosen works. Topics vary. (Fall & Spring) (Formerly MUS 449)
451, 452 Performance Studies (1–6)
Pr. audition required.
Coreq. for 452: MUP 400
May be repeated for credit with approval of Department Chair.
Enrollment in 2 or more credits requires coregistration in a large ensemble.
Instruction on principal instrument or in voice. (Fall & Spring & Summer) (Formerly MUS 451, 452)
460 History of Jazz (3:3)
Pr. MUS 206, MUS 301, MUS 332, MUS 333
Chronological survey of jazz music and jazz history. Introduction to standard reference works and investigation of socio-cultural aspects. (Even Spring) (Formerly MUS 460)
470 Woodwind Literature (3:3)
Pr. MUP 351 performance level, or permission of instructor
Survey of woodwind solo and chamber literature, 17th century to the present. Emphasis on historical perspectives, woodwind genres, performance practice, performances of representative works, and score analysis. (Even Fall) (Formerly MUS 470)
471 String Solo Literature (3:3)
Pr. junior or senior string students, or permission of instructor
Survey of literature for the violin, viola, cello, and bass from the seventeenth century to the present. Emphasis on historical perspectives, score analysis, aspects of performance practice, and performance of representative compositions. (Even Fall) (Formerly MUS 471)
473 Brass Solo Literature (3:3)
Pr. MUP 351 level or above in brass performance studies or consent of instructor
Survey of brass solo literature from the seventeenth century to the present. Emphasis on historical perspectives, aspects of performance practice techniques, performances of representative works, and score analysis. (Even Fall) (Formerly MUS 473)
497 Directed Study in Music (1–3)
Pr. permission of supervising professor and Dean of School of Music, Theatre, and Dance
May be repeated for credit if topic varies.
Supervised research in advanced subject area resulting in written document or composition. Project outline (available in Music office) prepared by student and supervising professor and approved by Associate Dean and Dean of School of Music, Theatre, and Dance. (Fall & Spring & Summer)
Courses for Advanced Undergraduates & Graduate Students
500 Organ Pedagogy (3:3)
Pr. junior, senior, or graduate keyboard major or principal
A study and evaluation of procedures used in the teaching of organ.
Emphasis on skills and techniques through exercises and literature.
(Occ) (Formerly MUS 500)
513 Performance of Art Song Repertoire (1:0:2)
Pr. permission of instructor
May be repeated for credit if topic varies.
Performance-based study of art song repertoire emphasizing stylistic
elements. Concentrates on one language or composer each semester, including, but
not limited to, German Lieder, French Melodie, American or British song. (Formerly MUS 513)
521 Song Literature I (3:3)
Survey of non-operatic solo vocal repertoire: Italian (Baroque
and Classical), German, Nationalistic, Spanish. Brief historical study of major
composers, poets, compositional style, and historical periods.
(Fall) (Formerly MUS 521)
522 Song Literature II (3:3)
Survey of non-operatic solo vocal repertoire: Italian (Romantic
and 20th Century), French, British, 20th-Century American. Brief historical study
of major composers, poets, compositional style, and historical periods.
(Fall) (Formerly MUS 522)
528 Choral Music since 1750 (3:3)
Pr. MUS 333 or permission of instructor
Study of significant genres and major composers of choral music
since 1750; detailed examination of selected masterworks.
(Even Fall) (Formerly MUS 528)
541 Principles of Vocal Pedagogy (3:3)
Pr. senior or graduate standing as a voice major or principal
or permission of instructor
Teaching process as applied to singing. Includes historical development
and an examination and comparison of concepts and approaches past and present. (Fall) (Formerly MUS 541)
551, 552 Performance Studies (1:1–6:6)
Pr. audition required.
May be repeated for credit if different instrument or with approval of Department Chair.
Enrollment for 2–3 credits requires coregistration in a large ensemble.
Instruction on principal instrument or in voice. (Fall & Spring & Summer) (Formerly MUS 551)
